Dreadnought Standard – spruce / rosewood
This dreadnought follows the classic American design, combining a spruce top with Indian rosewood back and sides. The result is a powerful, full sound with deep bass and sparkling trebles. Perfect for vocals and accompaniment, but also for solo playing where its dynamics and long sustain shine through.
Precision craftsmanship and traditional construction ensure reliability and versatility for a wide repertoire. Double X-brace for the studio, or scalloped bracing for more attack? No problem—let’s think it through.
- top – dolomite spruce
- back & sides – indian or madagascar rosewood
- rosette – D18/D28 style
- neck – honduras mahogany (one piece)
- headstock – madagascar rosewood
- fingerboard – madagascar rosewood
- fretwire – Jescar EVOgold
- scale – 648 mm
- tuners – Waverly
- binding – celluloid or CAB
- finish – Nitro gloss
- nut & sadle – bone
Dreadnought Pro – spruce / mahogany
There is hardly a more famous guitar model than the Martin D-18. My interpretation brings a larger soundhole and a more progressive neck taper, delivering excellent projection and a quicker response. The spruce top adds clarity, while the mahogany body brings warmth and balance. A one-piece mahogany neck with a traditional volute completes the character.
This guitar is ideal for players seeking a big voice combined with well-defined articulation. Equally suited for solo playing as well as bluegrass band accompaniment.
- top – dolomite/sitka/adirondack spruce
- back & sides – honduras mahogany
- rosette – D18/D28 style
- neck – honduras mahogany (one piece)
- headstock – madagascar rosewood
- fingerboard – madagascar rosewood
- fretwire – Jescar EVOgold
- scale – 648 mm
- tuners – Waverly
- binding – celluloid or CAB
- finish – nitro gloss or nitro relic
- nut & sadle – bone
000 size – 12 fret
This versatile 000 is built in the traditional 12-fret design, offering comfortable playability and a well-balanced tone. Depending on the woods, the character changes: spruce with rosewood delivers a rich, complex sound, spruce with mahogany adds brighter mids, and the all-mahogany version produces a dry, direct voice with excellent clarity and even extreme acoustic power.
It’s an instrument well-suited for fingerstyle, intimate accompaniment, or studio recording. A perfect guitar for folk players and vintage lovers alike—and it truly shines even in a wide-fingerboard version.
- top – spruce or mahogany
- back & sides – honduras mahogany/rosewoods
- rosette – 000 style
- neck – honduras mahogany (one piece)
- headstock – madagascar rosewood
- fingerboard – madagascar rosewood
- fretwire – Jescar EVOgold
- scale – 648 mm
- tuners – Waverly
- binding – celluloid or CAB
- finish – nitro gloss or nitro relic
- nut & sadle – bone
0 size – 14 fret (all-mahogany)
This compact 14-fret body in an all-mahogany construction creates a distinctive, woody, even gritty tone with a strong midrange focus. The sound is intimate, clear, and cuts well in smaller ensembles or solo settings. Thanks to its size, the guitar feels comfortable and invites a more delicate and expressive touch. A bindingless body with an oil finish feels natural in hand and ages beautifully.
Be your own Tom Waits—in the most wooden form of them all.
- top – honduras mahogany
- back & sides – honduras mahogany
- rosette – 0-15 style
- neck – honduras mahogany (one piece)
- headstock – madagascar rosewood
- fingerboard – madagascar rosewood
- fretwire – Jescar EVOgold
- scale – 648 mm
- tuners – Waverly/Golden Age
- binding and pickguard – celluloid or CAB
- finish – hand rubed Tru-Oil finish
- nut & sadle – bone
0 size – 14 fret (spruce / Tasmanian blackwood)
This version pairs a spruce top with Tasmanian blackwood back and sides, creating a sound that blends spruce clarity and projection with the warm, exotic accents of blackwood. It’s an inspiring instrument for both modern fingerstyle and traditional accompaniment. Sonically and visually outstanding, thanks to blackwood’s striking figure.
Not by chance was this guitar chosen by Clay Maselle of Strung Like a Horse. This is the axe among parlor guitars!
- top – sitka spruce
- back & sides – tasmanian blackwood
- rosette – custom
- neck – honduras mahogany (one piece)
- headstock – katalox
- fingerboard – madagascar rosewood
- fretwire – Jescar EVOgold
- scale – 648 mm
- tuners – Waverly
- binding – madagascar rosewood
- finish – alcohol varnish
- nut & sadle – bone
1 size – 12 fret
The historic size 1 format offers a unique sound—smaller than a dreadnought yet still resonant and colorful. Perfect for intimate settings, solo blues, or singer-songwriters seeking a natural, personal tone. With roots dating back to the 19th century, this size embodies the comfort, elegance, and character of the earliest parlor guitars.
And yes, this is exactly what every hipster wants.
- top – honduras mahogany/spruce
- back & sides – honduras mahogany/indian rosewood
- rosette – Martin 1 style
- neck – honduras mahogany (one piece)
- headstock – madagascar rosewood
- fingerboard – madagascar rosewood
- fretwire – Jescar EVOgold
- scale – 648 mm
- tuners – Waverly/Golden Age
- binding – bindingless/rosewood
- finish – nitro/Tru-oil
- nut & sadle – bone
